Wednesday, December 31, 2025

THE MORE THE MERRIER

I got my first job right out of high school. My photojournalism teacher had a photography and printing business and brought me on as a graphic designer the summer after graduation. My job mostly consisted of designing pages for football programs. You know, yoked out football players drenched in gatorade sweat and lightning bolts – that kind of thing. I worked there for 10 months, got paid $10 per page as a contractor during football program season, then minimum wage the rest of the year (which in 2007 was $6.25, only a dollar less than it is today, 18 years later). 

I worked my next two jobs while I was taking a semester off from college. The first, a Kitchen Designer/Sales Associate gig at Home Depot in Weslaco, paid $9 an hour, and I hated every second of it. I took long lunches, slacked off, and complained so much that after just two weeks, I was asked to resign. My next job was a seasonal Best Buy gig working in the “Digital Imaging” department, this was where they kept all the cameras at the time. I don’t know what it’s called today, but I hated this job too! I’d have a great conversation with a customer one moment and get in trouble for not turning it into a sale the next. One day, I told my supervisor that it didn’t feel right to manipulate people into spending money, that it felt heartless. To this, my boss replied “well if you want to work in sales, you can’t have a heart”. I’ll never forget that. To no one’s surprise, I was not called back after the season ended. Funnily enough, however, one of those sale-less customer interactions ended up getting me back in school. 

You see, I was taking a semester off from school because I was depressed. I’d really wanted to study film at NYU (because Tunde Adebimpe, the singer of TV On The Radio, studied film there and I wanted to be a cool musician/filmmaker like him) but I didn’t get into their film program. Then I tried applying to Full Sail in Orlando, because they had a 21-month Film program that seemed legit (though I’d learn later it wasn’t), but my folks couldn’t afford to pay my tuition, nor were they in any place to co-sign on loans with me, so I ended up enrolling at what would eventually become UTRGV, then known as UTPA. As a young person with a fairly negative opinion of the Valley (see: “nothing cool ever happens here”), staying here felt a lot like “settling”. It felt like failure. I did one semester as a Communications major (closest thing to being a film student) and was immediately put off by the department’s integration of Film, Television, and Theater, so the following semester I switched my major to Art. I’d been drawing all my life, so I thought it could work as a backup. As luck would have it, I ended up hating my Drawing professor – a man more concerned with the way I held a pencil than what I created with it. After a few weeks, I stopped going to his class. Eventually I started skipping all my classes, wasting the money my parents paid for my tuition and absolutely burying my GPA in the process. It seemed like all I could do was fail. I’d already failed as an artist, and was now failing as a student. Once I picked up the retail jobs I failed as an employee, too. Twice. Despite being 19 years old and not having much life experience to speak of, I was convinced my life was over. Truly convinced, if you catch my drift.

But then I remembered a conversation I had at work with a man I recognized from my time at UTPA. His name was Mike Salazar, and he was in charge of the workshop where all of the theater productions’ sets were built. On campus, he was a man of few words, but while helping him find some products at Best Buy, he recognized me and asked where I’d been the last couple semesters. I told him about my journey and dissatisfaction with the program, and he heard me out. He said he understood my frustrations, and admitted that the program was limited in resources. But he also said that, despite its shortcomings, the Theater/TV/Film program at UTPA was a good starting point for someone wanting to pursue any of those fields further. He spoke highly of the staff and of the supportive environment the program fostered for students with big ambitions. Up until that point, I’d seen college as a one-stop shop for anything and everything I’d want to know and do in the world. I expected to receive a Matrix-style download of knowledge and experience that would get me a job the second I graduated. I never considered that college would simply be one step in a journey with many steps, and that taking one step forward meant I was one step closer to where I wanted to be. Talking to Mike gave me perspective, and not only made me feel like there were more pages left in my story, it made me want to turn them over and see what they had to offer. That Spring, I re-enrolled at UTPA, in the Theater/TV/Film department, and tackled the semester with a renewed sense of purpose. I found ways to express myself in my work and met people who inspired me, people who fueled the fire at the center of my heart. I learned that in order to be a dreamer, you have to be a lifelong learner, too. 

This is what has guided me everywhere I’ve been in my life, for better or worse. Some lessons are easier to learn than others, of course, but I’ve found that the harder a lesson is to learn, the more important it tends to be. This year was a hard one. No doubt about it. But I’m grateful for it just the same. Steps, pages, lessons…whatever you wanna call ‘em, the more the merrier. 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 AS

Wednesday, May 25, 2022

BLASST 132: C. Diaz



TRACKLIST
1. Björk - "Big Time Sensuality"
2. Ataque de Caspa - "Viaje a Egipto"
3. PJ Harvey - "Is This Desire?"
4. Cocteau Twins - "Cherry-Coloured Funk"
5. CCFX - "The One To Wait"

SHOW NOTES
We made it! Welcome back to another weekly entry of Blistering Listens and Strange Sounds, thank you so much for listening as always.

Today's guest is the artist, filmmaker, archivist, and dog lover, C. Diaz. C. is an RGV native, but has spent quite some time out in the world pursuing the threads of their creative energy. This journey has led them through the ever-twisting and turning paths of cinema, from live video mixing for bands in Austin to discovering their love of direct animation at Mono No Aware in NYC, and finally to awakening their talents as a colorist at a post-production house in LA -- all the while making films of their own using various media. 

As we discuss in the episode, this journey has ultimately been one of self-discovery for C. Throughout the 2.5 hours of this show we look back at their path through the world of cinema, and talk about how each leg of the journey, each kind and helpful soul along the way, has helped shape them into the artist they are today.

Speaking of the present day, C. has been a great collaborator of mine for nearly two years now. In early 2021, we started working on an idea that would eventually become ENTRE Film Center & Regional Archive, the biggest project either of us has undertaken in a long time. We go in-depth about it in this video:

In the middle of 2021, while ENTRE was still taking shape as a concept, we both worked with fellow artists and friends Natalia Rocafuerte and Josue Ramirez to organize, curate, and host MIRAAA Media Fest, a festival encouraging RGV artists to explore non-traditional storytelling and media through collaboration and experimentation, in late August of that year. You can still watch the stream here (it eventually went virtual due to a surge in COVID cases via the Delta variant).

Beyond being an excellent collaborator, C. has also become a great friend, and I'm really glad I was able to bring them on the show. Below are a few links C. sent over including their website, substack, and other projects and inspirations! Episode is below them.




Wednesday, May 18, 2022

BLASST 131: HiMarcus


TRACKLIST

1. Dijon - "Rodeo Clown"
2. Ravyn Lenae - "Skin Tight (feat. Steve Lacy)"
3. Blood Orange - "Dark & Handsome"
4. Vegyn - "So Much Time - So Little Time (ft. John Glacier)”
5. Radiohead - "Weird Fishes/Arpeggi"
6. Kero Kero Bonito - "Time Today"

NOTES 

Something I've observed over the last decade or so is that the roles of "artist" and "marketer" have essentially merged. As a direct result of the advent of social media, most folks trying to lead a successful career as an artist also have to find a way to promote their art. We can go into the details of this phenomenon another time, but perhaps one benevolent byproduct is that this is the perfect environment for auteurs. Artists who wish to carefully craft every aspect of their work have never had it easier, honestly. 

Enter HiMarcus, the nom de plume of Marcus Narro, one such auteur. His can of earworms debut LP, Dirtbag, was released last September to an RGV that frankly did not see it coming. With its polished production, memorable songwriting, and strong stylistic vision, the album - and Marcus himself - wasted no time in making a lasting impression on the music scene. 

On today's episode, we talk about how he got into music, where he pulls inspiration, his album's rollout and everything that went into it, and of course, some of his favorite music as well. Tune in below.

 

 

 

Wednesday, April 6, 2022

BLASST 130: B11CE

TRACKLIST
1. J Dilla - “Workinonit”
2. Kanye West - “Two Words”
3. B11CE - “Vicky”
4. Rustie - “After Light”
5. B11CE - “Slo-Mo Rodeo”
6. Pequeño Baile - “Que Cunta La Tele De Nosotros: La Zona 2ndre”
7. B11CE - “Pointillist”
8. B11CE - “UniSun”
9. B11CE - “Where It Ends & U Begin”
10. B11CE - “Pretty Sick”


NOTES
It occurs to me that I should probably not be writing these at the crack of midnight (maybe it'll help the writing be better) but nonetheless, here we are again with another episode. Today's guest is a musician, producer, and multimedia artist I've had my eye on for the last few months, B11CE, the nom de plume of one Adrian Barrientes from Brownsville, TX. 

As you will hear in the show, Adrian's musical journey has taken him across the country and across various genres, eventually landing upon his current project, which seems to find him at his most realized in a creative sense. From one gander through his IG, one can be exposed to a spread of different art and media delving into both the absurd and experimental, which I think is a fitting representation for B11CE's creative approach. He first appeared on my radar when he released the deluxe edition of his most recent LP, Nalgaz Dulcez, the stunning artwork for which is posted below.
(Art by Michelle Spearmint)
What I found particularly remarkable about this album push was that Adrian was doing all of the work himself. He posted photos on his instagram of the whole production process, and I was thoroughly impressed to see someone in the RGV putting that much time into their merch game. It doesn't hurt that the album itself is trippy work of art, pairing fever-dream production with booty-shaking jubilation. It's very easy to find yourself listening to the last track before you know it. Some standouts for me are "Pointillist", "Ble$$M32DETH", "Sustame", and "Playt1m3". 


During our conversation we also mention the music video Adrian shot for one of his early singles, "Vicky", throughout various laundromats in the LA. Check it out above, or tune into the episode (at last) below.

It was a great pleasure to speak with Adrian, and I look forward to seeing more work from in the near future. If you enjoyed the episode, drop me a tip via my page on Mixcloud! BLASST is a labor of love and completely funded out of my pocket, so any support y'all can give would be massively helpful.

Thanks again for tuning in, and see y'all in a couple weeks. Next guest: HiMarcus.

- AS

Wednesday, March 23, 2022

BLASST 129: Bekah Hinojosa


TRACKLIST

1. Boris - "Furi"

2. Alice Cooper - "Clones (We're All)

3. Black Sabbath - "War Pigs"

4. ABBA - "Fernando"

5. Lita Ford - "Kiss Me Deadly"


We're not on Apple Podcasts anymore, I'll get into it next episode. You can find all of our episodes (including new ones) on MIXCLOUD. You'll find today's episode embedded at the bottom of this post.


NOTES

Alright y'all. Let's get the obvious out of the way first. Yes, BLASST is back, after a little over a year off the air. Nothing happened to prompt the move, I just felt burnt out after keeping the show going through 2020, which was a really hard year to do literally anything with your life. So, when 2021 rolled around, I figured it would be a good time to focus on me for a change. Surprise, surprise, it helped! I got my routine back, worked on a couple fun projects with friends (MIRAAA & ENTRE), and most importantly, survived another year in the pandemic. 

It wasn't until 2022 rolled around that I started to feel like there's a real chunk of life breathing through the RGV again. It'd been happening long before that, but it wasn't until a couple of months ago that I sensed a consistency in it, longevity. All of a sudden we were awash in a sea of new faces doing great things. Cool things, even. People that I feel deserve a platform of some kind. And so, BLASST has returned. I wanna talk to these folks, learn their stories, and learn a bit about their music taste while I'm at it. Which brings me to today's guest: Bekah Hinojosa!

Bekah is an environmental activist from Brownsville, TX. She's been organizing for a really long time, at least a decade, and most recently has been putting in a lot of time with anti-LNG (liquid natural gas) and anti-SpaceX movements. Well just last month, following the appearance of some graffiti underneath that atrocious 'BTX' mural in Brownsville, she was arrested and put in jail for 26 hours. After her arrest, the mayor of Brownsville posted her mugshot on his official facebook account, thanking the police for acting on an act of "vandalism". See the original post (he edited it the next day) below:

I wanted to speak with Bekah as soon as I heard about this happening. Not only is this a gross abuse of power on the part of the mayor of Brownsville, but it also reflects poorly on the infrastructure of support that SpaceX has essentially bought for itself in South Texas. Mayor Mendez is defending this mural (which continues to be poorly received by people across the Valley, not just Brownsville) as a gesture of blind loyalty to SpaceX. I believe the kids today define what Mayor Mendez is doing for SpaceX as "dick-riding".

That being said, Bekah is super cool, and I'm very thankful to have been able to speak with her about her experience. As you will hear in the show, she currently has a donation page setup to help cover her legal costs as well as a petition to get the misdemeanor charges dropped. Links to both below:


On top of being fun, our chat explores why this abuse of power is problematic and what it means for the rest of the Valley as SpaceX reaches further into the RGV for roots of power. She also picked some damn good songs, so tune in and enjoy!

*Editor's Note: I chose Boris to open this show because the recurring theme in this episode is rock n' roll, and it just doesn't get more rock n' roll than Boris.

See y'all in two weeks. (fingers crossed) 

AS


Monday, January 18, 2021

BLASST 128 - Looking Back on 2020


TRACKLIST

1. Cold Beat - “Prism”

2. Shamir - “On My Own” 

3. Dua Saleh - “Umbrellar”

4. Moses Sumney - “Virile”

5. Yves Tumor - “Kerosene!”

6. Chiiild - “Back to Life (feat. Shungudzo)“

7. KeiyaA - “A Mile, A Way”

8. Armand Hammer - “King Tubby”

9. The Serfs - “Perverted Disco”

10. Ghösh - “Rock 'Em Sock 'Em”

11. I Killed Techno - “I Sailed the 7 Seas of Shit”

12. Pillowsnake - “Copaganda (feat. I Killed Techno)”

13. Valley Swerve - “Apparition Haunting Grounds”

14. Ariel Zetina - “Vanity 7”

15. No Home - “A B- In This Economy”

16. Special Interest - “Street Pulse Beat”

17. P22 - “Endling Chorus for the Terminarch”

18. Straw Man Army - “Arrival”

19. Sweeping Promises - “Safe Now”

20. Chronophage - “Absurdity”

21. NNAMDÏ - “Wasted”

22. serpentwithfeet - “A Comma”

23. Arlo Parks - “Eugene”

24. Futuro Conjunto - “Heat Death”

25. Dandy Heat - “Southpop”

26. Dead Finks - “Box Office Poison”

27. Cindy Lee - “One Second To Toe The Line”

28. Ana Roxanne - “Suite Pour l'invisible”

29. Desire Marea - “Studies in Black Trauma”

30. MF DOOM - “Operation Doomsday”


LISTEN ON MIXCLOUD

LISTEN ON APPLE PODCASTS


NOTES
Perhaps the first thing you'll notice about this episode is how it wasn't released last year. I had intended to release this on New Year's Eve, but in as little words as possible: I dropped the ball. Instead of rushing it, I decided to wait and work on it when I had some time and had a better headspace. That time has come. 

There was so much great music released in 2020. Killer albums, EPs, and singles. I didn't listen to nearly a fraction of what I usually do, however. I spent more time in 2020 listening to older music and playing catch-up with artists I'd never explored before, and I found a lot of joy in that. However, of all the new music I did listen to last year, the stuff that really stuck with me remained plentiful. Today's episode covers a chunk of those tracks that really hit for me. I should say that this playlist is not comprehensive, as there are songs that technically belong on this list, but simply didn't fit the narrative of the mix. 

I don't feel comfortable making 'Best Of' lists for albums or songs because most of what I did listen to last year, I ended up liking, and that's all these lists are really meant to show, anyway.

Here's a list of artists that didn't make the episode, but who released new music last year which I thoroughly enjoyed:


Here are some artists who did not release new music in 2020, but who I spent considerable amounts of time listening to anyway:


I hope that in the new year, I'll listen to more music, and be able to provide a more comprehensive list of things to pay attention to. Not going to lose sleep over it though. I think that's the biggest lesson I've learned from 2020: taking care of yourself comes first.

See y'all soon.

AS


Saturday, October 31, 2020

BLASST 127: Halloween 2020


TRACKLIST
1. William Castle - "Intro to The Tingler"
2. Sonido Verde de Moyobamba - "Danza Del Vampiro"
3. Fela Kuti - "Zombie"
4. Bertrand Russel & The Velvet Underground - "Demonology & Medicine"
5. Eartha Kitt - "I Want To Be Evil" 
6. The Shaggs - "It's Halloween"
7. Wojciech Kilar - "Corso" (The Ninth Gate)
8. Ho99o9 - "Sleep Paralysis" 
9. John Zorn - "Demon Sanctuary"
10. Flatbush Zombies - "Ascension"
11. Andrzej Korzynski - "Kreuzberg 1" (Possession)
12. Gravediggaz - "Diary of a Madman"
13. Koji Kondo - "Ghost Attack" (TLOZ: Majora's Mask) 
14. Funkadelic - "March to the Witch's Castle"
15. Siouxsie and the Banshees - "Halloween"
16. The Haxan Cloak - "The Blessing" (Midsommar)
17. Roky Erickson - "Night of the Vampire"
18. Dead Moon - "Evil Eye"
19. The Bags - "Prowlers in the Night"
20. The Cramps - "Human Fly" 
21. Koichi Makigami - "Ngoh"
22. Mort Garson - "Black Mass"
23. Robert Johnson - "Me and the Devil Blues"
24. Boris - "My Neighbor Satan"
25. Dead Kennedys - "Halloween"
26. Wendy Carlos - "City of Temptation"
27. Goblin - "Suspiria" (Suspiria)
28. Diamanda Galas - "The Litanies of Satan"



NOTES

Today's show is for all gals and ghouls of every dimension, with plenty of music and no condescension. It's Halloween, and I wanted to put together a special show to celebrate, complete with a smorgasbord of styles and sonic expressions, and some scary film soundtrack selections to boot. Not much else to say except to enjoy the show, I had a great time putting it together, and hope it keeps your Halloween nice and vibe-y. 

I don't plan to keep a regular release of episodes, as that's how I feel I got burnt out in the first place, but when I have the time and energy, I'll keep releasing stuff and posting them here for your enjoyment.

In other news, I've released a solo album! It's called Secret Stages and features music I originally composed for the COVID CALLS episodes of the show, preened and propped up by yours truly in the aptly named digital audio workstation, REAPER. You can find Secret Stages everywhere you listen to music, Spotify, Apple Music, Tidal, Bandcamp, and Soundcloud. If you want to support me directly, please buy the tunes on Bandcamp, or buy the tape which will be released next month. Will probably post a bit about that then.

That's all for now. See y'all next episode.

A

Monday, August 31, 2020

BLASST 126: Any Takers?

TRACKLIST
1. Fushitsusha - Endless Waltz excerpt
2. Conjunto Primavera - "Y Que Me Importa"
3. Thugly Mane - "I'm Baby (prod. Riddiman)"
4. Vic Spencer & Sonnyjim - "The Best Natural Face feat. Che Noir"
5. Edwin Voyager - "wear ur skin"
6. diseasefreak - "pulling+leaves"
7. Pillowsnake - "HAZEHazEHAZE"
8. Nobuo Uematsu & Masashi Hamauzu - "Due Recompense"
9. Crack Cloud - "Drab Measure"
10. Anadol - "Görünmez Hava"
11. Sary Moussa - "In Praise of Shadows"
12. Noveller - "A Pink Sunset For No One"
13. Maleem Mahmoud Ghania & Pharaoh Sanders - "Moussa Berkiyo/Koubaliy Beriah La' Foh"
14. John Fahey - "Finale"
15. Rowland S. Howard - "Avé Maria"

LISTEN ON MIXCLOUD
LISTEN ON APPLE PODCASTS

NOTES
This week, I'm tired. I've been daydreaming of taking a sabbatical from everything. Everything being BLASST, social media, the U-Punk stuff - everything. I just feel overwhelmed. This is partially due to everything happening in the world, but I also just feel like I haven't taken the time to replenish my energy, both physical and emotional. I don't want to make excuses and say stuff like "I'm not as young as I used to be" because I don't think age has anything to do with this. I just feel like I'm not spending my time the way I should. I miss making music. I kind of want to take time to focus on creating, and letting my brain breathe a bit, outside of weekly obligations. Mind you, most of these obligations are ones I've set for myself, I don't have anyone else holding me accountable for any of this. In turn, the only person I let down by taking a break - or closing this chapter altogether - is myself. I know I'm ranting, and probably not making that much sense, but if you're reading this, I appreciate you. I hope you enjoy the show, save for my stream of consciousness bits between music blocks. Today's episode is full of stuff that I've been listening to that has made me feel things. Some days I forget that I can feel, and listening to music is a great reminder of that.

Anyway, humoring the idea of not doing BLASST anymore, I wonder: is anyone out there interested in learning how to do these things? I'm more than happy to share my skills and knowledge with anyone looking to learn how to run a podcast, run a weekly live music series, etc. 

Send all inquiries to uupunk @ gmail.com and I'll get back to you promptly. 

Otherwise, I'll see y'all next week - maybe.

AS

Tuesday, August 25, 2020

BLASST 125: Strange Sounds Today

TRACKLIST
1. Fela Kuti & Ginger Baker - "Black Man's Cry"
2. The Ex - "IP Man"
3. Sweeping Promises - "Cross Me Out"
4. P.E. - "Lover's Lane"
5. Waldo & Sango - "Made Me"
6. Lianne La Havas - "Weird Fishes"
7. Karkhana - "Rock Farock"
8. Clock of Time - "Rotten Master"
9. Protomartyr - "Modern Business Hymns"
10. Asian Dub Foundation - "Reluctant Warrior (feat. Assata Shakur)"
11. Agent Orange - "Kill The Police"

LISTEN ON MIXCLOUD
LISTEN ON APPLE PODCASTS

NOTES
Today's episode is compiled of stuff I've been listening to lately as well as tracks I've been meaning to play on the show for some time. We begin by talking about the recent shooting of Jacob Blake by Kenosha, Wisconsin police officers, 7 shots in the back at point blank range - in front of his kids on one of their birthdays - truly monstrous. Thankfully, Blake is said to be in stable condition at a Kenosha hospital, but remains in the ICU. (contrary to what my ramble in the beginning of today's episode repeatedly, mistakenly claimed, that Blake was murdered) Meanwhile the two cops who followed him to his car, including the one who shot him, are on administrative leave. As you would expect by now, people across the country have erupted in protests calling for the termination of the aforementioned officers, as well as some less-abolitionist folks calling for charges to be brought upon them for attempted murder. If only we didn't have police to begin with! If only our communities - especially those of color - weren't so systematically disenfranchised that the idea of policing is practically inseparable from the average person's concept of a society! 

That being said, today's selections veer into more strange sounds territory, with a few outliers (selections from the new Sweeping Promises, Lianne La Havas, and Protomartyr LPs) and makes for a good work mix - in my opinion. I don't know what kind of music you listen to while you work, or if you listen to music at all. If the latter is the case though...what are you doing here?

To donate to the Milwaukee Freedom Fund (mutual aid org helping protestors get out of jail), follow them on instagram here and donate to them here.

Take care of each other, defund your police departments, wear your masks. 

See y'all next week.


AS

Tuesday, August 18, 2020

BLASST 124: 44 Songs 4 the USPS

TRACKLIST
1. Blues Clues - "Mailtime"
2. The Postal Service - "Such Great Heights"
3. Wire - "Another The Letter"
4. Dead Kennedys - "Stealing People's Mail"
5. Blind Snooks Eaglin - "Mailman Passed"
6. Bob Dylan talks about the mail
7. Guided by Voices - "Postal Blowfish"
8. Sloan - "Penpals"
9. The Pixies - "Letter to Memphis"
10. The Zombies - "Care of Cell 44 (Alternate Mix)"
11. Shocking Blue - "Send Me A Postcard"
12. Bob Dylan talks about the mail some more
13. La Parsifónica - "Correo"
14. Bone Thugs-n-Harmony - "1st of tha Month"
15. 2pac - "Letter to the President"
16. Spice 1 - "Mo' Mail (feat. E-40)"
17. Thundercat - "A Fan's Mail (Tron Song Suite II)"
18. Vivian Copeland - "Key In The Mail Box"
19. Vangelis - "Mail From India"
20. The Cure - "A Letter To Elise"
21. Siouxsie and the Banshees - "Metal Postcard (Mittageisen)"
22. The Velvet Underground - "The Gift"
23. Bob Dylan sure knows a lot about the post office
24. Living Colour - "Postman"
25. Vilma y los Señores - "Correo"
26. Hermanos Zaizar - "Amores Por Correo"
27. Bob Dylan, Mail, and Heartbreak
28. Beirut - "Postcards From Italy"
29. ショッピングワールド - "LOVE MAIL"
30. Slove - "Carte Postale"
31. chief. - "no mail today"
32. 21 Savage - "letter 2 my momma"
33. The Brothers Johnson - "Strawberry Letter 23"
34. The Chi-Lites - "A Letter To Myself"
35. Leonard Cohen - "The Letters"
36. Tom Waits - "Christmas Card from a Hooker in Minneapolis"
37. More Bob
38. Meek Mill - "Letter to Nipsey (feat. Roddy Ricch)"
39. Linton Kwesi Johnson - "Sonny's Lettah (Anti-sus Poem)" 
40. Nina Simone - "African Mailman"
41. Bud Powell - "Air Mail Special"
42. Moor Mother - "Letters From Earth"
43. Wisp - "A Letter In The Mail"
44. Laurie Anderson - "O Superman"

Edit: Previous tracklist listed "Strawberry Letter 23" as being by Shuggie Otis, but it's actually The Brothers Johnson version. I had my files misnamed, apologies.

LISTEN ON MIXCLOUD
LISTEN ON APPLE PODCASTS

NOTES
Today's episode is about the Postal Service! No, not the band, though we do play them at some point - because of course we do. It's not every day that the most essential branch of your country's government is being ripped to pieces, limb from limb, like a rotisserie chicken fresh out of the oven. Louis DeJoy - aka Trump's recent appointee to the position of Postmaster General, has effectively kneecapped the USPS at Trump's request. The reason: to curb mail-in voting, AKA the only safe way to vote during a global pandemic, and possibly the only way Trump can lose the 2020 presidential election. It's corruption at it's most blatant (Trump's admitted his plans in the news), and we the people are powerless to do much about it at this point, short of burning it all down I guess. 

On today's show, I play 44 songs about the postal service. Songs about postal workers, about sending and receiving mail under a wide variety of circumstances, including many letters to lovers, mothers, and others in our lives. The mail is a huge part of our culture, and we have come to take it for granted in our lives. We forget that most people throughout the world, not just the USPS, rely on postal services to survive. Postal workers get us our medicines, paychecks, legal documents, consumer goods, and in some cases, services! It's one of the only few lifelines incarcerated people have to the rest of the world! Without it, our country is as good as dead, and in November, Trump will take a big fat shit on the corpse if he wins. So, that being said, if you have your torches ready, I've got the music. Let's gooooooooooooooooo.

Links to learn more about WTF is going on with the USPS:

https://facts.usps.com/top-facts/ (facts from the horse's mouth)

https://www.pbs.org/wnet/need-to-know/five-things/the-u-s-postal-service/11433/ (more factoids)

https://www.npr.org/2020/08/16/902977021/the-history-of-political-interference-in-the-usps (great audio story here too)

Thanks for listening. Stay vigilant, and keep that lighter handy.

AS

Tuesday, August 11, 2020

BLASST 123: FOR LEBANON WITH LOVE



TRACKLIST
1. Unwound - "We Invent You"
2. Munir Khauli - "Heik ha Nishtghil"
3. DETOX - "Suckcess"
4. Scrambled Eggs & A Trio - "Koji Kabuto (Ya Akruto)"
5. Kinematik - "Murur al-Kiram"
6. Yasmine Hamdan - "Iza (George Bshoum remix)"
7. Malayeen - "Najwa"
8. El Rass & Al Nather  - "هي هيك - Hiye Hek"
9. Lil Asaf - "Msll777"
10. Mazen Kerbaj - "Tagadagadaga"
11. Christine Abdelnour & Michel Waisvisz - "Wig Wag"
12. Marc Codsi - "Invocation I"
13. Kid Fourteen - "Plastic Lasts Longer Than Love"
14. Lumi - "Talk To You"


NOTES

Lebanon's in bad shape. Hell, it's been in bad shape for a while now. I say that as if I didn't just learn about it this week. Along with last week's devastating explosion that leveled most of Beirut, the country's government has essentially walked off the job (after just getting the keys this past January) and the people are being slaughtered by police in the streets (much like our very own nation today, except it's been happening there much, much longer).


So, in honor of the fever pitch this nation is currently experiencing, I thought it would be nice to look into Lebanon's music scene, specifically (most of the time) Beirut. Turns out there was/is quite a thriving music community there, complete with artists across the genre spectrum, from hip-hop and pop to hardcore punk and avant-garde electronic composers. Needless to say, my Bandcamp hunting left me with a big Beirut-sized hole in my wallet. Several of today's artists also play in several bands and release music under a number of names, too many to feature in a single show, but just know that if you have some time to kill and want to discover a whole new musical scene, look into Beirut. Listen to Scrambled Eggs, Karkhana, Kinematik, The Bunny Tylers, all of it is fantastic. Will share some links and clips below. Up first, a 'trumpet solo' by Mazen Kerbaj.

To support relief efforts in Lebanon, you can donate to any of the following organizations:

We also opened the show with a track from Unwound's final LP, Leaves Turn Inside You, in honor of Vern Rumsey's recent passing. QEPD.


As always, thanks for listening. Take care of yourselves, and each other. Seeya next week.


AS

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