In the middle of 2021, while ENTRE was still taking shape as a concept, we both worked with fellow artists and friends Natalia Rocafuerte and Josue Ramirez to organize, curate, and host MIRAAA Media Fest, a festival encouraging RGV artists to explore non-traditional storytelling and media through collaboration and experimentation, in late August of that year. You can still watch the stream here (it eventually went virtual due to a surge in COVID cases via the Delta variant).
Wednesday, May 25, 2022
BLASST 132: C. Diaz
In the middle of 2021, while ENTRE was still taking shape as a concept, we both worked with fellow artists and friends Natalia Rocafuerte and Josue Ramirez to organize, curate, and host MIRAAA Media Fest, a festival encouraging RGV artists to explore non-traditional storytelling and media through collaboration and experimentation, in late August of that year. You can still watch the stream here (it eventually went virtual due to a surge in COVID cases via the Delta variant).
Wednesday, May 18, 2022
BLASST 131: HiMarcus
TRACKLIST
1. Dijon - "Rodeo Clown"
2. Ravyn Lenae - "Skin Tight (feat. Steve Lacy)"
3. Blood Orange - "Dark & Handsome"
4. Vegyn - "So Much Time - So Little Time (ft. John Glacier)”
5. Radiohead - "Weird Fishes/Arpeggi"
6. Kero Kero Bonito - "Time Today"
NOTES
Something I've observed over the last decade or so is that the roles of "artist" and "marketer" have essentially merged. As a direct result of the advent of social media, most folks trying to lead a successful career as an artist also have to find a way to promote their art. We can go into the details of this phenomenon another time, but perhaps one benevolent byproduct is that this is the perfect environment for auteurs. Artists who wish to carefully craft every aspect of their work have never had it easier, honestly.
Enter HiMarcus, the nom de plume of Marcus Narro, one such auteur. His can of earworms debut LP, Dirtbag, was released last September to an RGV that frankly did not see it coming. With its polished production, memorable songwriting, and strong stylistic vision, the album - and Marcus himself - wasted no time in making a lasting impression on the music scene.
On today's episode, we talk about how he got into music, where he pulls inspiration, his album's rollout and everything that went into it, and of course, some of his favorite music as well. Tune in below.
BLASST 132: C. Diaz
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